Una montaña de escombros AMOUNTAIN OF RUBBLE
Boy standing on mountain of rubble, Berlin, 1947.
Photograph: Roman Vishniac/© Mara Vishniac Kohn. Courtesy International Center of Photography
La imagen de un niño sobre una montaña de escombros puede ser algo más que una simple fotografía. Puede ser la imagen de la humanidad frente a sí misma. La herencia de la destrucción, la necesidad de reconstruirse, la necesidad de estar por encima de la destrucción. ¡Qué más da si el niño es musulmán, judío, cristiano, hindú o del pueblo que sea! Ante todo es un niño que tiene que vivir retirando las ruinas que ha recibido de sus adultos. Y se vuelve a repetir la historia, más ruinas, más niños sobre escombros, más adultos destruyendo lo que otros han costruido con toda su vida. ¿Se trata de una herencia envenenada?
The image of a boy standing on a mountain of rubble might be something else than a simple photograph. It may be the image of human history. The legacy of destruction, of ruins; the legacy of the need to rebuild our world, the necessity for overcoming the historical selfdestruction. It doesn't matter if the child at the top of the rubble is Muslim, Jewish, Christian, Hindu or from any other country. First of all he is a child who will have to live by removing the ruins that has received from adults. And we repeat the history once more, again and again, more ruins, more children on rubble mountains, more adults breaking down what others made by working hurdly their whole life. Is it a poisoned legacy?
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What Is Photography?
Photography is the art of capturing light with a camera, usually via a digital sensor or film, to create an image. With the right camera equipment, you can even photograph wavelengths of light invisible to the human eye, including UV, infrared, and radio.
The first permanent photograph was captured in 1826 (some sources say 1827) by Joseph Nicéphore Niépce in France. It shows the roof of a building lit by the sun. You can see it reproduced below:
What Is the Bare Minimum Gear Needed for Photography?
Camera. If you buy a dedicated camera (rather than a phone), pick one with interchangeable lenses so that you can try out different types of photography more easily. Read reviews, but don’t obsess over them, because everything available today is pretty much equally good as its competition. Find a nice deal and move on.
Lenses. This is where it counts. For everyday photography, start with a standard zoom lens like a 24-70mm or 18-55mm. For portrait photography, pick a prime lens (one that doesn’t zoom) at 35mm, 50mm, or 85mm. For sports, go with a telephoto lens. For macro photography, get a dedicated macro lens. And so on. Lenses matter more than any other piece of equipment because they determine what photos you can take in the first place.
Post-processing software. One way or another, you need to edit your photos. It’s ok to start with software already on your computer, or software that comes with your camera. But in the long run, a dedicated program will do a better job. Adobe sells Lightroom and Photoshop as a bundle for $10/month, or you can buy standalone software from another company if you prefer; there are tons of options. Whatever you pick, stick with it for a while, and you’ll learn it quite well.
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